Living and working in Nicosia and Limassol, Cyprus, I work across performance and performance-making, music composition and production, sound design and installation, and socially engaged practices of collective listening and sounding. I am also a curator in music, sound, and the visual arts. Between 2019 and 2025, I directed The Island Club, a non-profit exhibition space in Limassol initiated by and programmed in dialogue with artist Christodoulos Panayiotou, with whom I co-curated the Art Explora Festival in October and November 2025 in Limassol. In conversation with The Island Club, I also direct the archive of visionary Cypriot photographer Demetri Dimas Efthyvoulos (1924–2011).

 

My curatorial and artistic practices are interconnected in content and methodology, jointly moving across themes in ecology, (eco)spirituality, and community. Across both, I seek to facilitate immersive environments inviting embodied engagement and functioning as gestures towards world-building, shaped by futurist imaginaries. My work strives towards collective making and is invested in the social environments I inhabit, particularly the artistic underground as a site of creative honesty, collaboration, and resilience against the extractive demands of late capitalism and the global art market.

 

My sonic work is situated across experimental, electronic, ambient, choral, and contemporary classical music, with a special interest in the voice, particularly its harmonic and pre-linguistic configurations. Drawing influences from contemporary experimental music, deep listening practices, and ritual, magical, and sacred music traditions, my works are intended as mystical encounters that tap into the healing, ecstatic, and radical potential of sound. I facilitate participatory vocal meditation workshops and performances, encouraging audiences to experience this potential through collective sounding. My compositional material emerges from these shared encounters and through my own rituals of communing with the living world and its beings—to which my work is ultimately an offering.

 

I also perform in Cyprus's queer underground as DJ Katta, understanding raving as another, joyous modality of collective transcendence.